castiron: cartoony sketch of owl (Default)
Fics I'm enjoying in Yuletide so far:

Semasiography (1551 words) by Anonymous
Chapters: 1/1
Fandom: Arrival (2016)
Rating: General Audiences
Warnings: Major Character Death
Characters: Louise Banks, Original Characters
Additional Tags: Worldbuilding, POV Outsider, Non-Linear Narrative, Language
Summary:

I’m fifty-six and I’m wearing a black suit at Louise Banks’ funeral.



Greater and Stranger (1777 words) by Anonymous
Chapters: 1/1
Fandom: Chalion Saga - Lois McMaster Bujold
Rating: General Audiences
Warnings: No Archive Warnings Apply
Characters: Desdemona (Chalion), Ruchia (Chalion)
Additional Tags: Yuletide Treat, Canonical Character Death, Character Death
Summary:

Learned Ruchia lingered too long in Darthaca; her demon is supposed to pass to a Physician waiting in Martensbridge, but what if she doesn't make it that far?



The Wanderers (9818 words) by Anonymous
Chapters: 5/5
Fandom: Chalion Saga - Lois McMaster Bujold
Rating: Teen And Up Audiences
Warnings: Creator Chose Not To Use Archive Warnings
Characters: Penric, Desdemona, Ista, Annaliss dy Teneret, Foix dy Gura
Additional Tags: Some OFC/OMC death, Yuletide, Yuletide 2024, Yuletide Treat
Summary:

My daughter, I know you no longer believe in the five gods. You have told me many times that this faith is something left best behind in childhood. That it dies in stillbirths and illness and all the ills the gods never keep away. I know that these stories will not make a new made convert you any more than you can return to childhood, and what a horrible thing that would be.
Tell yourself instead that I collected them for you as entertainment. Even if you have no faith in the Father or Mother, have faith that this Mother loves you.

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Susan C. Pinsky, Organizing Solutions for People with ADHD. This would be useful for someone who hadn't read a wide variety of books on organizing, or who'd mostly read books focusing on setting up attractive and complicated systems rather than systems that prioritize function over looks. I didn't come away with any great insights, and several of her suggestions turned out to be things I did already.

I also thought some of her suggestions made assumptions about availability that aren't necessarily valid. For example, yes, getting rid of physical media frees a lot of space, and it's a great idea if you're not going to rewatch/relisten to/reread that item. (As I age, I'm also realizing that many of my old books are going to be harder for me to read in non-electronic format; that's made me reevaluate whether I want to keep the borderline cases.) But "you can just stream it" assumes that you're always going to live somewhere with good internet and that the streaming service or library will always have what you want. Or "throw out all your socks and replace with 7 identical pairs all in the same or at most two colors" -- obviously I'm ignoring that one and sticking with my bazillion pairs of hand-knit socks, which I mostly find enjoyable rather than burdensome to pair up after running the sock wash. But I also can't easily find commercial socks of the fiber content, thickness, and durability of the ones I used to buy. Yes, in theory if I get rid of a tool and then find no, I should've kept it, I can buy another...and chances are the replacement will be more poorly made than the 20-year-old item I originally had.. Pinsky's central message of "You will have a much easier time organizing your stuff if you're organizing less stuff" is valid, but "you can always replace it if you find you did need it" isn't always the case.
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A few months back, when I was taking advantage of Newspapers.com's free-access weekend to do some genealogy research, I ran across a column of book reviews in the New Orleans Times-Picayune, 2 September 1888. Various books were described as "educational, "charming", "wholesome", etc.

And then there was The Tragedy of Brinkwater by Martha Livingstone Moodey:

"This is a murder story. A woman is accused, with the help of her son, of having murdered her step-son. The story is not a good one, nor is it very well told. Murder stories, to be good, ought to be able to harrow one's feelings—to send, so to speak, cold chills up and down one's back, and to render one altogether very uncomfortable. This story does nothing but bore one."

One-star review from 1888? Of course I had to track it down on Google Books and read it.

TL;DR: Yeah, it's bad. Which is a shame, because there's a potentially good story buried in the Noble Suffering Of Virtuous People.

summary and cast )

the solution to the mystery )

This could have been a really fun melodramatic romp. It ended up being a compelling letdown.
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Rachel Lynn Solomon, Business or Pleasure. A romance between a ghostwriter and an actor whose memoir she's writing. It was a fun read, and the bits of fictional scripts from the actor's projects were a nice touch.

I feel like I'm reading and rereading Lois McMaster Bujold all the time, but I realized I haven't actually reread the Vorkosigan series in at least ten years. While the general outlines are enmeshed in my brain, it's been long enough that the words are fresh, and there's many little details I didn't remember. (For example, I remembered the cremation at the end of Cetaganda, but the bit where the stream of plasma is shot straight up into the sky was an image that I had no memory of.) Currently I'm on the Miles Errant ebook volume -- "Borders of Infinity", Brothers in Arms, and Mirror Dance.
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Shannon Chakraborty, The Adventures of Amina al-Sirafi. Historical fantasy set mostly around the western Indian Ocean in medieval times. A middle-aged woman who retired from piracy to raise her daughter takes on one last job, which of course turns out to be far more complicated and dangerous than expected. I thoroughly enjoyed Amina's POV and the worldbuilding. There are some gruesome bits, but they're telegraphed far enough in advance that I could skim them and don't have the images stuck in my head.

Nilima Rao, A Disappearance in Fiji. A mystery novel set in Fiji in 1914. Akal Singh, a Sikh Indian police sergeant, has recently been transferred in disgrace from Hong Kong to Fiji. There he's assigned to investigate the disappearance of an Indian woman who was an indentured worker on a sugar cane plantation. It's not a comfortable read -- the book does not gloss over the racism and prejudice that Akal experiences -- but it's an interesting setting and a good mystery.
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Recent reading:

Deanna Raybourn's Killers of a Certain Age is a delight if you're up for the body count. Four women who've retired from being professional assassins discover that the organization they've spent the past forty years working for is now trying to kill them; they competently kick butt and take names.

Jessie Q. Sutanto's Vera Wong's Unsolicited Advice for Murderers is a nice cozy mystery. The victim is clearly a total shit; the suspects are fascinating people and all had good reason to off the victim; I have great sympathy for Officer Grey. Only quibble:

vague spoiler )

Claudia Gray's The Murder of Mr. WIckham was a decent mystery and a fun Austen continuation. While I'm not sure I buy the portrayals of all the Austen characters, they're congruent with the people they are in Austen, only with different traits emphasized. And the two original characters are delightful together. I've already put a hold on the sequel for when the library gets it.

I'm in the middle of a reread of Elizabeth Enright's Melendy Family books. They were a favorite read when I was a kid, and they hold up very well. (Hmm, I should read these to Youngest once we finish Swallows & Amazons....)

I finally brought myself to reread AJ Hall's The Queen of Gondal series for the first time since the author's death. Great Sherlock fic series that rewards rereading, and while the series is never going to be finished, at least the end of the final installment is a solid ending and not an eternal cliffhanger.
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Kerry Greenwood, Death in Daylesford. Finally managed to finish this one, with the reread of the rest of the series to give me momentum. When I first tried to read Death in Daylesford, I set it down in boredom a couple chapters in. Most Phryne Fisher books start with either a bit of the mystery or some interesting situation in the family that reveals something new; this one starts with Phryne and Lin in bed, not exactly a novel circumstance. The book could have just has easily started with chapter 2 without losing anything, and Lin's thoughts on the planned lake and the displacement of the Chinese folks who lived there could've been a flashback when Phryne saw the soon-to-be-lake.

Once I got a bit further into the book, it became more interesting, but there was a lot going on in this book. Multiple mysteries in Daylesford; the mystery that Ruth, Jane, and Tinker are solving back in Melbourne (which I found a bit too dark, and the solution made sense but didn't satisfy); Hugh's issues with the temporary substitute for Jack (which makes me wonder if Greenwood is having trouble writing book-Jack after TV-Jack and therefore decided to get him offscreen)... Everything got resolved in the end, but it wasn't quite as satisfying as usual.

It's the first Phryne Fisher book in seven years, so I'm not surprised that it feels off. On balance, I'd have been fine if the previous in the series Murder and Mendelssohn had been the final Phryne Fisher book. Death in Daylesford does have decent final paragraphs, and if it turns out to be the last book then it's not a terrible way to end the series, but it's not great.

Gabe Hudson, Gork, the Teenage Dragon. A fun read if you can cope with the violence level; I mostly could, but there were some scenes that I didn't try to visualize because it would've been too much. Gork's voice is great, and the worldbuilding is great, and it's very entertaining. That said, while the romantic resolution works fine, the resolution of the rest of the story is abrupt and I don't buy it.
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I'm rereading Kerry Greenwood's Phryne Fisher mysteries in preparation for a second attempt at Death in Daylesford. The reread is going in a zigzagged order; I tend to read more on my ereader since it's always on me, but while I have the whole series in print (I've decided it merits analog backup), I don't have them all in ebook. So at the moment I'm reading Murder on a Midsummer Night in print and Murder and Mendelssohn in e.

I thoroughly enjoy Phryne and the people she gathers around her, though it's getting to be a large enough crowd that it's unwieldly to check in on everyone in every book. Murder and Mendelssohn isn't one of my favorites; I enjoy a good Sherlock fanfic, but I'd have enjoyed this one more with a few more serial numbers filed off. The choir members are interesting characters, though.
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In Connection With The De Willoughby Claim is one of the most batshit Hodgson Burnett books I've ever read. It's also one of the most cringe-inducing.

So, Tom De Willoughby is an indolent postmaster and shopkeeper in a small town, estranged from his more prominent family in another city because he never found a career appropriate to a gentleman. He did have a little medical training, which comes in handy when a strange couple shows up in town and the woman dies after giving birth. The man leaves town after the woman's burial, and Tom adopts the baby girl, later named Sheba.

The slow reveal of the identity of Sheba's parents is one running plot thread. About halfway through, another plot thread related to the book title comes in, where Tom and his nephew Rupert file a claim over some family land that was damaged during the recent war.

You see, the small town where Tom lives is in North Carolina, the city where his estranged family lived is in South Carolina, and the book is set over about 1850-1870.

Think about how Hodgson Burnett handles lower-class characters in her British-set stories. Now imagine that applied to American slavery and post-Emancipation. Yeah. Uncle Matt, the freedman formerly held by Rupert's father and later working as Rupert's servant, could easily be the old British family retainer that stays with the scion of the house when the family has fallen on ruin, but with the slavery context added, and with no characters who are former slaves going "shaking the dust of this plantation off my feet so hard you'd think the Dust Bowl was two generations early" to balance him out, yeah. Cringe. (Also, Uncle Matt describing himself with the n-word? More cringe.)

There is plenty of interesting batshit story in this book, plus some scathing commentary on how women receive social consequences for out-of-wedlock pregnancy that men avoid, and a sharply realistic look at the problems Tom and Rupert run into when trying to get reparations for their land. (Tom's father/Rupert's grandfather was a Union supporter, so a little cringe was averted.) If you're a Hodgson Burnett fan, you may find it worth reading. But go in prepared.
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Graydon Saunders first three Commonweal books, The March North, A Succession of Bad Days, and Safely You Deliver. Egalitarian fantasy in a post-multiple-apocolyptic world. These books take a lot of work to read because of how much incluing you have to pick up, but they reward rereading. At some point I may get further books in the series, but at the moment I don't think I have the brainspace for them.

Andrea Hörst's Touchstone trilogy (Stray, Touchstone, and Caszandra) + gratuitous epilogue. Australian young adult walks through a portal into another world, struggles to survive, and ultimately finds out she has special abilities. Probably fourth or fifth reread. I find the worldbuilding and the main character interesting, though I'm meh on the romance.

JRRT, The Hobbit. A short guy has an adventure with a bunch of other short guys. Nth reread; it's been a while.

L. A. Hall, Revenants. The latest Cathcart Circle installment. Daughter disapproving of mother's new lover; sundry young people figuring out how to be together despite parental resistance; man suddenly decides he wants custody of the son whose life he hasn't been involved in; people get ready to travel; everything gets settled happily in the end. Comfort reading.

Currently stalled on the new Phryne Fisher novel, Death in Daylesford. I was really excited about this one, but now that it's in my hands, meh. I feel like Greenwood's writing style has changed, though I can't articulate how; more tell-y than showing? More obligatory "here's what this person in the regular cast of characters is up to lately"? At any rate, I'm not enjoying it like the previous books in the series, and while I'll probably finish it eventually, I'm not feeling any urge to press on. Maybe I'll like it better once I've gotten through it once, but honestly, the end of Murder and Mendelssohn felt like it could be a good close for the series.
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I'm in the mood for comfort reading, so I've been doing a reread of Ellis Peters's Cadfael series. They're predictable -- update on the current state of the civil war between Stephen and Matilda, young couple meets and falls in love, murder happens, young couple is somehow affected by the murder, Cadfael solves the crime and brings the criminal to justice occasionally tempered with mercy, young couple are clearly headed for a HEA, Cadfael muses on life and the workings of God. Sometimes it's way too much similarity when I'm reading them close together, but right now it's just what I need. I'm up to The Pilgrim of Hate.

I've realized on this reread that I now know someone who's the dead spit of Hugh Beringar as he's described in the books, so I have a new mental image for him; Cadfael, however, will always look like Derek Jacobi to me.
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Nora Roberts's Bride Quartet series: Vision in White, Bed of Roses, Savor the Moment, and Happy Ever After. There are a lot of things I don't like about these books. I don't buy any of the romances except for Mac and Carter's in the first book. The emphasis on the gender binary at best makes me head-tilt and at worst makes me feel like I fail at performing femininity. The scene in Bed of Roses where Del and Jack throw punches at each other over Jack's enthusiastically-consented-to relationship with Emma because Del takes a big brother role to all four of the women, not just his actual sister -- on my first read, that was nearly a book-against-wall moment. And reading about extremely wealthy people (even the poorer characters are financially better-off than I am) grates on me; I can understand how readers would vicariously enjoy experiencing that lifestyle, but it's not my catnip.

So why do I keep rereading them? First, because I really like Vision in White as a romance. Mac is interesting and has believable issues due to her narcissistic mother; Carter is an utter sweetheart; the two of them are clearly good for each other. And second, I love the friendship among the four women. They're best friends and business partners; they work well together; they have occasional conflicts which they resolve. They work their asses off, and they're proud of what they do. They're real enough to me that I wonder how they'd be coping with the hit to the business due to COVID-19, and I'm sure the answer is "admirably".

Maud Hart Lovelace, Emily of Deep Valley. This, on the other hand, is a book I wholeheartedly adore. Emily Webster, member of Deep Valley High's graduating class of 1912, struggles to find something to do with her life after high school. While her friends have gone away to college, she's had to stay home to care for her grandfather. She's coping with loneliness and isolation, an unrequited crush on a classmate who treats her inconsiderately, and the uncomfortable feeling of becoming out of step with her old friends. And then, she decides to do something about it. She finds ways to study and learn despite not being able to go to college; she makes new friends; she discovers a need in her community and advocates for meeting it. In the end, she's living an active, interesting life and is much happier. (Plus she meets someone much better for her than the high school crush -- but it's clear she'd still be happy without him.)

It's a wonderful story, and even though it's about an eighteen-year-old, the whole theme of figuring out what you can do with your life after one phase ends is timeless and certainly resonates with this thirty-plus-years-older reader.
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Kate Clayborn, Chance of a Lifetime series: Beginner's Luck, Luck of the Draw, and Best of Luck. A het romance series about three friends who win the lottery and use the money to make changes in their lives, finding romantic partners in the process. The characters often have heavy stuff in their backgrounds that affect their growing relationships, but I find the stories surprisingly un-angsty despite that; there's dark moments, but the overall tone is cheerful and hopeful. (Even Luck of the Draw, which really does have a conflict between the heroine and hero that I'm not sure I believe they've overcome if I think about it too hard, but they're so interesting together that I don't care. YMMV.)

I picked these up because I really enjoyed Clayborn's Love Lettering. This series works a bit better for me because they have the POVs of both of the couple; I can see why Clayborn did Love Lettering in only the heroine's POV, but it took a reread for me to really buy that Reid was into Meg. In the Chance of a Lifetime books, there's no doubt, and indeed I'm not sure some of them would've worked without both POVs.
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Kerry Greenwood, The Spotted Dog. #7 in the Corinna Chapman mysteries. I haven’t read 4-6 yet, but I had no trouble following along. I’m mixed about this one. The mystery subplots were over-the-top (and given some of the happenings in the earlier books, that’s saying something). But it’s always fun to check in on the inhabitants of Insula and to read the descriptions of the food.

Becky Chambers, To Be Taught If Fortunate. Really good, but I had a little trouble coping with one scene, and while it’s a hopeful ending I need my stories more unambiguously happy-ending right now.

Terry Pratchett, Going Postal. Approaching double-digit reread. This is one of my favorite Pratchetts, and definitely my favorite of the Moist von Lipwig books.

Ann Leckie, The Raven Tower. Mid-single digits reread. I love S&PotH, and I'm still picking up new bits every time I reread.

Tessa Bailey, Indecent Exposure. A book that I can see working very well for someone else and that ultimately did not work for me. I liked the characters and some of the initial setup, but as the story went on, it hit too many "nope" points for me. I couldn't buy the heroine being willing to chance having a fling with the hero when she's technically his teacher for two weeks (and come on, even if she's leaving the country when she's done, she can't say "look, how about if I come back to visit soon and we'll see what happens"??). I could buy that the heroine was sufficiently coping with her past experiences to be in a headspace for a relationship now, but once it's revealed exactly what the hero's past trauma is and given how the story shows it's been affecting him in all his relationships up until the heroine? NO NO NO DUDE YOU NEED A THERAPIST NOT A GIRLFRIEND. (Also, I Do Not Like The Magical Healing Genitalia Trope. Do Not Want. It Makes Me Talk Like A Pratchett Golem. It Is An Abomination Unto Nuggan.) It's too bad, because some of the development of their relationship is very sweet, and if I read the sex scenes as a PWP rather than as part of the story they're quite hot. But I'm glad this was a library checkout and not a book I spent money on.

On the go:

Becky Chambers, The Long Way to a Small Angry Planet. Despite the sad bits, it's such a hopeful universe, and I'm very much in the mood for decent people making an effort to be decent to each other.
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My concentration for reading is largely gone, but I'm managing Kerry Greenwood's The Spotted Dog in small bursts. I still have to catch up on the intermediate Corinna Chapman mysteries; so far, though, no problem following what's going on. It's nice to see what the folks in Insula are up to, which is the main reason I read this series -- the mystery plotlines are the side dish for me.
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Rex Stout, Death of a Doxy. Hadn't read the book before, but I've seen the Maury Chavich/Tim Hutton version several times, so the plot was all familiar.

Rick Riordan, Percy Jackson: The Lightning Thief. I read this series several years ago; rereading now because I have a member of the target audience in the household who bonds with me by asking me to read the stuff they really like. It's a fun read, and Riordan knows his audience.

On the go:

L. A. Hall, Above Rubies.

Rick Riordan, The Sea of Monsters.

Alan Smale, Clash of Eagles.
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Tamsyn Muir, Gideon the Ninth. I went in to this one a little cautiously because of how much hype it's gotten, but turns out it's indeed very well written. The voice, the descriptions, and the atmosphere are really strong. It's right on the edge of my gruesomeness cope range, and there were a few places where I didn't read too closely, but it's not so gory as to leave nightmare mental images in my head afterwards. The general tone and atmosephere reminds me of P. C. Hogdell's God Stalk, though Jame is less sarcastic. (Forget Gideon and Harrow, though; I want to read more about Camilla!)

Kate Clayborn, Love Lettering. I really like the way that Meg sees the world in lettering. I prefer romances where the POV alternates between the couple (I'm reading these to *escape* from RL, not to replicate the experience), but we see enough of Reid in different contexts that I can buy him as an overall good & decent man, and their growing romance was very sweet. The side plots with friendships were fun too. The two big reveals were way over-the-top, but overall I enjoyed the book.
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Lois McMaster Bujold, Penric's Progress. The print book collecting her novellas "Penric's Demon", "Penric and the Shaman", and "Penric's Fox". I've already read these in e (and I think I have all three of these in Subterranean Press print editions, or at least the first two), but I wanted to get a print copy that I'd be comfortable loaning to other household members, and it's nice to read all three in a swoop. I'm looking forward to Penric's Travels in May, which collects "Penric’s Mission", "Mira’s Last Dance", and "The Prisoner of Limnos"; I don't have print versions of those, and those three really need to be together in one book because they don't stand alone as well as the first three.

Suzanne Brockman, The Unsung Hero. Nth reread. A romance between a Navy SEAL and a pediatrician who'd fallen in love in high school but went their separate ways and meet many years later when the hero's recovering from a head injury and thinks he sees a presumed-dead terrorist in their small town; secondary plots involve the heroine's dying father coming to terms with his WWII service and an adorable secondary romance between the hero's niece and a comics geek. I never got into the rest of this series (the second book didn't work for me, and I never got any further), but I still enjoy this one.

On the go: Alan Smale, Clash of Eagles.
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Talia Hibbert, Get a Life, Chloe Brown. A romance between two people with lots of baggage -- she lost most of her support network when she developed fibro; he was abused by his previous partner -- that nonetheless manages to be incredibly adorable and happy-making. (And extremely hot.)

In progress:

Lois McMaster Bujold, Penric's Progress. The more-reasonably-priced hardcover compilation of "Penric's Demon", "Penric and the Shaman", and "Penric's Fox".

Waiting in the queue:

The rest of the holiday presents.
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Under the tree and now in my reading queue:

Sarah-Maria Belcastro and Carolyn Yackel, Making Mathematics with Needlework. This one's going to be fun -- mathematicians talking about sundry mathematical concepts in the needlework realm.

Debbie Parker Wayne, ed. Advanced Genetic Genealogy. This may go over my head (I'd consider myself around the beginner-intermediate cusp with genetic genealogy), but I'll enjoy figuring it out.

Mo Moulton, The Mutual Admiration Society: How Dorothy L. Sayers and Her Oxford Circle Remade the World for Women.

En route and going in the queue as soon as they arrive:

L. A. Hall, Mistress in Her Household. The latest in the Clorinda Cathcart apochrypha; Eliza Ferraby's story. This will be my relaxing reading.

Alan Smale, Eagle and Empire. Third book in an alternate history trilogy about a 13th century Roman military officer who's taken as a war captive in North America and ends up in the city of Cahokia. (I should reread the first two books in the meantime to refresh my memory.) While this series is more military-history heavy than is usually my thing, I've been hooked since the Iroquois military tech reveal at the beginning of chapter 2 of the first book Clash of Eagles (I may have uttered the words "okay, that's f***ing awesome" aloud on first reading).

Mark Vanhoenacker, How to Land a Plane. Because it sounded intriguing.

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